El Desconocido: Or A Sketch of The Unknown

So I've discovered that planning for my project is a rather interesting challenge. I know so little about what is actually going to happen that sometimes I feel like I am shooting in the dark. I have discovered, however, that I can sort of map out what I do know and get an idea of what where I am headed. It's kind of like being given a blank canvas and being told to create a masterpiece. Where do you even start? But I suppose that if I start sketching some ideas in pencil that something will come to me. I mean, I don't have to fill in all of the shading and color until I am there in the field right? So here's a rough sketch...

I kind of have two halves of my painting that I have started sketching, the first is my look into the interest that I have, which I will discuss more in another post. The second aspect of my parameters and requirements though I have thought through a little more, so here goes a quick dumping of my mind art into black and white letters on this blog.

First I must first ask myself if I am bound by the interview techniques and specified outcome that my Mentor Señor Grover uses in his research. Will my findings be in collaboration with his work, or just tailored after that manner? If I do follow his structure completely then that gives me a greater sense of direction and I am not shooting in the dark as much. On the other hand, I don't even know to a full extent what the finished outcome of his work looks like. I may have to adjust my plans and my interests.

If I do work in tandem with Grover's work, then what do I have to work with? I do not yet know what the structure of his work looks like, nor have I seen an example of the finished product. He is currently on sabbatical leave right now, but should be coming back soon in February and I will be able to get a clearer idea of his work. But for now I only can speculate, which doesn't always provide accurate results.

If I mentor with Grover, but do a work separate in style and function from his, then I also need to consider my options. However with more options to consider it may be harder to decide on matters. I will also have the challenge of making sure that my project retains academic experience and fits within the requirements for the ORCA scholarship (which I have applied for and am hoping to receive).

As you can see there is a lot to think through, and so far this is just considering what I may or may not be required to do. I still need to consider what I would like to do, and the practicality of those views. But instead of starting with oil paint or pastels on the canvas, I have definitely found it helpful to create a few rough sketches on some scratch paper and see what I like.

Ahhh, art. :)